America’s Trump Card

Donald TrumpFor those who are not aware, the United States of America is less than nine months away from electing the president that will succeed Barack Obama in office. And while it is too early in the process to say definitively, by all appearances it looks as though the Republicans are going to choose The Donald as their candidate to stand against the Democratic Party’s choice, which in all likelihood will be Hillary Clinton.

I am simply an anonymous liberal American armed with a blog. I dropped out of college over 25 years ago. I have never made more than $40,000 a year. I am not a respected member of my community. Statistically, it is more likely that my body will go undiscovered for weeks when I die than it is that I will ever buy a new car. It goes without saying that I am overweight. I am, in a word, inconsequential. And fat.

Which means of course, using the up-is-down, black-is-white logic that currently grips fervent Republican primary voters, that there is no one more perfectly qualified to proffer up sage, thought-provoking opinions of one Donald J. Trump than I.

Without further ado, let me begin.

<In a scene reminiscent of Robert Durst in The Jinx, I take my blog with me to the bathroom, forgetting that my “mic” is still on. Under my breath, I can be heard saying>

What the fucking fuck, America? Who decided it was a good idea to let you morons vote?

<Emerging from the facilities after delicately washing my hands, I proceed with my stately analysis of the Trump presidential bid, unaware that my interior thoughts have been captured in print>

We’ve been through this before, people. You must remember, of course. Sixteen years ago, long before social media brought us disturbingly close to other people’s political opinions and conspiracy theories, some of us worried about another dipshit Republican candidate. His name was George Bush. People lovingly referred to him as “Dubya,” Perhaps you remember him. Some of us naysayers and, yes I confess I was one, worried that he wasn’t up for the job, that he wasn’t capable of deep intellectual thought, and we fretted about what would happen were he to actually win the election. We feared the worst, although you didn’t know that, as most of us didn’t have blogs at the time. Thankfully though, after his election, Dubya led America through eight years of unprecedented prosperity and peace, and all of us naysayers were proven wrong. Then some Kenyan name Barack Hussein Obama was elected and ruined America by creating Obamacare. (I may have some of details mixed up, but you get the gist. Nothing bad happens when you elect an blowhard. Lesson learned, America. Good job.)

I spend an inordinate amount of time thinking about Donald Trump. You may think I am exaggerating, but I assure you that in my free time, when I am not binge-watching something on Netflix or wondering if the DiGiorno pizza I put in the oven is done, I am thinking about this Donald Trump phenomenon. (I call it a “phenomenon” only because it’s surprising to see a rude, fat, white man with orange cotton candy for hair bully his way into the American consciousness. The hatred and anger that he articulates is not phenomenal.)

The angry white voter is hardly new. Why is America acting like this is a new thing? Seriously. Angry white voters were so common back in the 1850s that when a congressman almost beat a senator to death in the Capitol building using a cane, hundreds of them sent him replacement canes for the one he broke in the assault. I mean, say what you will about people applauding when Donald Trump says he wants to punch somebody in the face, but the applause seems quaint in comparison. I am not going to trace the history of the angry white voter for you tonight, but please realize that it has always been with us.

I think people are disturbed this election cycle because Donald Trump has smashed the veneer of respectability our presidential races typically have. The voters are supposed to be rabid and furious, not the nominees. Politicians have exploited people’s fears for generations…but it’s been done obliquely. Subtly. In code. Ronald Reagan, for example, didn’t come right out and say he hated black people, he simply announced his presidential campaign in the town of Philadelphia, Mississippi. That’s a strange out of the way place to hold such an important event, until you remember that Philadelphia, Mississippi was where three civil rights workers were murdered. That’s the way presidential politics is supposed to be run in America: smooth and on the down low. Donald Trump blows that subtlety to smithereens. Mexicans are rapists and all Muslims will be banned from entering the country. Oh, and he is going to take a serious look at banning same-sex marriage, too. He’s going to kick ass and take names because he’s mad as hell and he isn’t going to take it anymore. And people are lapping this shit up. This billionaire prick who calls getting a million dollars from his daddy a “little” loan has people convinced that he’s Howard Beale speaking truth to power.

American leaders aren’t supposed to been seen deliberately stoking the fires of unrest. America has always been hyper-vigilant about mob violence. Undoubtedly the roots of that fear can be traced back to our slave-holding ancestors. The question is whether or not it is healthy for the country to experience this anger so openly during a political season. I mean sure, four years after Preston Brooks beat the shit out of Charles Sumner in Congress in 1856, America found itself embroiled in a Civil War, but I’m sure that was just a coincidence. I am sure that openly expressing hostility and rage while refusing to calm down or accept rational responses in return is perfectly healthy in a democracy. It’s just a healthy exercise of our first amendment rights.

I’m sure we have nothing to worry about.

 

 

 

 

Let’s Talk About Music

Hello, friends.

As many of you know, I am pretty passionate about music. What you may not know is that I cannot stand music critics. Ho, my God. What pretentious assholes they seem to be, (although I’m sure their mothers love them.) Most of the music critics in my life–and I genuinely try to limit them–come to me via NPR. One of them recently, when describing a favorite album of his from 2013, said that the singer was “self-conscious without being self-absorbed.” I heard this in my car. I had to fight the urge to deliberately smash into the nearest concrete barrier simply to stop his voice from coming out of the speakers. I could have turned the radio off, but he made me so angry I forgot that was an option. He was “speaking English without even remotely attempting to make any fucking sense.” I seriously loathe them. (In an effort to sound a wee bit magnanimous, allow me qualify that. I don’t hate ALL of them. Some are quite good at what they do. Most of them, however, aren’t.) They are so busy trying to maximize their desperately overpriced English/Music degrees that they don’t even realize they stopped making sense about music a long time ago.

Music and language are clearly related to a certain degree. But, they are two vastly different mediums. My suspicion is professional writers resent that. Musicians, they own us, baby. Don’t they? You know they do. Writers can spend months locked up, sweating and alone, with their thoughts, for months, in an attempt to move perhaps 1,000 readers, if they’re lucky. Two notes from a guitar solo is all it takes to make thousands erupt. You don’t believe me? If you love rock & roll and were alive in the 70’s, try not to float a little when you click this. I don’t care how many books Oprah sold, her book club will never make people feel like that. The written word will never have that power. Ever. And that resentment comes through loud and clear in most of the reviews I read.

With all that being said, I’m here tonight to review a couple of CDs I’ve been listening to lately.

I know, right? I am nothing but a bundle of contradictions. And that is somewhat evident in the albums that have been competing for my attention lately.

I have been listening to Rosanne Cash’s new album “The River & The Thread” and Jill Hennessy’s “Ghost In My Head” pretty much on an infinite loop for the past two months. And just like the contradiction of my despising reviews of music and yet having the need to write about it, those two albums are very different. And yet I am addicted to both.

If you’ve known me for more than 47 minutes, one of the things that you’ve learned about me is that I am a tremendous fan of Rosanne Cash. That is not to say that I am a tremendous person, but rather that I will easily become the most tremendous blow-hard if you wanted to “chat” with me about her music. You will quickly look at your watch, silently wondering how you are going to extricate yourself from the conversation, thinking “Jesus Christ. All I said was ‘7 Year Ache’ was a good song. I didn’t even know who sang it. I thought it was KT Oslin. I have a family to go home to.”

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Here I am in an intimate moment with Rosanne Cash, being photobombed by her husband, John Leventhal.

I have loved and admired Rosanne Cash for decades. Have you ever heard a particular singer’s voice and something clicks deep inside of you and you realize “I am this person’s slave. I will do whatever it is they want me to do. Wake up to buy tampons at 2:30am? Sure. Go murder the President because he won’t publicly support an anti-gun initiative? (Wouldn’t THAT be ironic?) I will do it, because I am their slave and they own me?” Has no one else had this happen to them? Well. If Rosanne Cash needed me to buy tampons–which, in and of itself would be an impressive request, because she’s in her 50’s–I would put the slippers on, fumble for the keys and look for the nearest 24-hour pharmacy.

I reveal that level of devotion to let you know that there is absolutely no way that I could seriously criticize any work that she did. I mean, it’s ridiculous to even expect it. But I will do my best to be objective.

But–it’s fucking ridiculous. I mean, I have been backstage as she performs soundcheck on some of the very songs I am going to be talking about. Please. I’m biased. Totally, irrevocably, biased. That’s another thing that pisses me off about music critics. If you don’t like someone because they’re a selfish, conceited, unmanageable prick, just say that. Don’t mask your resentment of their personality with a bad review. Conversely, if you are completely smitten with someone, be bold enough to admit that you are hypnotized by them, and that is why you are giving them a glowing review. (I’m looking at all the Taylor Swift fans out there.)

The River & The Thread

Rosanne Cash’s latest album, The River & The Thread, is a beautiful masterpiece.

For me to really get into the subtle nuances of her album…that would require you the reader to be face to face with me. We would consume either too much coffee or too many beers, but together, in conversation, we would parse this woman’s evolution down to its essence. Because she is a complicated woman. That is one of things I love about her. I am not going to do that justice in this essay.

To truly appreciate the beauty of Rosanne Cash’s latest album, you have to understand the albums that came before it. The reviews, be they on television, on NPR, or in print, don’t seem to focus on that. I mean, AT ALL. But, again…*hatred of music critics*…sigh. Stupid fuckers. All they focus upon is her relationship with her father.

I think I loved Rosanne Cash long before I had even an inkling of who her father was. That probably makes me different from about 97% of her fanbase. When I fell in love with Rosanne Cash, I knew her father sang “A Boy Named Sue,” thanks to my own father’s record collection. My father also introduced me to “My Ding a Ling” by Chuck Berry and “Hello Muddah Hello Fadduh,” by Allen Sherman. He loved them all equally. So, at the time, I did not have a deep appreciation for Johnny Cash. That came later, with maturity, once I got out of the house. My love for Rosanne came first. I feel like I am swimming against the tide in that respect, as everyone seems to love her father first, and her only as an afterthought.

She has a legacy that she has to honor. In many ways she is American Royalty. (Miley Cyrus probably knows exactly how she feels.)

(Show of hands–how many people here don’t realize that Rosanne Cash’s father is Johnny Cash? Show of hands–how many don’t know who Johnny Cash is? Well. Thank you for reading this essay for as long as you have.)

Rosanne Cash has been in the music business for a long time. She has transformed herself–as many do–over the decades. I am particularly infatuated with the work that she has produced since 1993’s The Wheel. I mean, I LOVED her King’s Record Shop album from the 1980’s that garnered her so many awards, and of course I remember 7 Year Ache…but her work since The Wheel has been decidedly different. And that in large part has to do with the man that she was in love with, who produced it, and who has been her life partner and collaborator since, John Leventhal.

It is ridiculous, since 1993, to refer to any Rosanne Cash album as a “solo” work. Because it is always in collaboration with her husband.

They fused a blend of country & pop and mixed it with red-hot passion back on “The Wheel” in 1993. That’s a great album. I cannot believe it didn’t chart. I mean, seriously. That is one of my favorite albums of all-time. It bothers the hell out of me that no one has ever heard it, if the charts are true. So, if you would like me to burn you a copy, just send me a tweet @Twizznit.

They have evolved, she has evolved, and her relationship with her family/heritage has evolved. And it has all coalesced in The River and The Thread. And she has blended the perfect brew. My only criticism of it is that it is too perfect. I don’t admire perfection. I resent it. I like flaws, and I like to root for underdogs. The River & The Thread gives me none of that.

I could spend the next few paragraphs dissecting every song on the album, providing you with adjectives that make you want to shoot me or read your thesaurus and then find an imaginative word for “murder,” but suffice it to say that Rosanne Cash has created a very soothing album that blends the history of her past with the history of her marriage with the history of music. Her husband plays on the record. Her husband produced the record. I don’t know how to tell you he is a genius, but he is one. She thanks, in the acknowledgements, her husband John. “We painted this together.” They did. And it is a beautiful painting. Are you familiar with her “Black Cadillac” album? Such a beautiful tribute to all the people she had lost during that time, including her father. (Her father is Johnny Cash. The singer.) And on the eponymous song, Black Cadillac, I could swear there is a trumpet tribute to Ring of Fire on it. I am probably wrong. But at the end, I swear I can hear it. Again, what do I know? I’m not a Johnny Cash fan, nor a music critic. The point I’m trying to make is that these people are serious, subtle, masters of their craft. The River and The Thread seems not only to tie into her familial roots, or the roots the South, but also to the past 20 years that she has been making music with her husband. But, unless you have heard the albums that they’ve made together, you would quite possibly miss that.

Rosanne Cash is, above all else, always in control of her emotions. There is a reason that her autobiography is titled “Composed.” She is focused on mastery, and you can feel the mastery in every song on The River and The Thread. There is nothing raw or unhinged about a Rosanne Cash song. She is always in control. It’s beautiful and intimidating.

It’s fascinating to me–again, because I know a little bit about her musical history–that the most interesting collaboration she performs on The River & The Thread is with her ex-husband, Rodney Crowell. They raised four children together but have been apart for decades…and yet, when they sing, it’s pretty obvious that they sound great together. Again…in keeping with the River and the Thread theme…that life, love, history and land all relate…it’s pretty awesome (and subtle) that she would recognize that with a soft duet with her (ex) husband.

To someone who has never heard of Rosanne Cash in their life…this is a soft, safe, crooning album. She is not going to surprise you, although she may please you. (Does that sound like something an asshole music critic would say? Please tell me that’s not as bad as “it’s self-conscious without being self-absorbed”?) She is a wonderful master, in her 50’s, who services the song…oh, Jesus, I think I heard that on NPR once. I need to shut up now.

When I’m not listening to Rosanne Cash’s new album, I’m playing Jill Hennessy’s 2009 debut, Ghost in My Head. Rosanne has come so far, and Jill is just getting started. What a contradiction.

Jill Hennessy Ghost in My Head

What year is this? Are we in 2014? That’s…okay. So, it’s been 5 years since this album has been released. Give or take. I’m a fairly new listener to it.

If you remember the early years of Law & Order or the television show Crossing Jordan, you should know who Jill Hennessy is. From the moment I saw her on Law & Order, she was in my “Top Ten.” The Top Ten, of course, being a list of beautiful women on television that, once they decided they wanted to sleep with me, I would accept into my bed as long as they were at the top of the list. (Thank God only men are sexist pigs, or else I might feel guilty about shamelessly rating women.) And Ms. Hennessy was always in the Top 10. Who else was in the Top 10? God, it was ever evolving. Madeline Stowe. Oof. And Mary Elizabeth Mastrantonio. Oh. My. God.

Can we please just take a moment to honor the powerful beauty that is Mary Elizabeth Mastrantonio?

Whew.

Breath-taking.

No.

I still need a moment.

***

Sometimes I miss the 90s.

Alright. So now that I’ve established my sexist credentials, please allow me to dissect Jill Hennessy’s album further.

Please know that I was TERRIFIED to listen to this album. It took me YEARS.

I had been following Jill Hennessy on Twitter for many years, ever since I signed up for the service. From following her, I knew that she had made an album. And I completely, deliberately, avoided it. I was scared to death.

Try to imagine someone that you love watching on television or in movies suddenly deciding that they were going to sing.

I did that already, with someone named Russell Crowe.

Have you heard of him? Oh, yeah. I have his CD. 30 Odd Foot of Grunts. Yep.

30 Odd Foot of Grunts

Even the baby is ashamed to be associated with this album. “My God. What will my parents think?”

I own this album. It is on my iPod.

I loved Russell Crowe. Have you ever seen him in The Sum of Us? I had such high hopes for him. So, when he came out publicly to say that, yes, he was a musician…I scooped that shit up. Who wouldn’t? I loved him in The Sum of Us. And why would he lie?

And then I listened to his album.

To my credit, I haven’t killed him.

But, he did completely ruin me for the “actors who want to sing” set. I was done after that. He was that powerful & awful. That Pawerful.

So, when I joined Twitter and found Jill Hennessy, and her bio said that she was singing and had an album out, of course my first thoughts were towards Russell and I was all “Isn’t that nice.”

I completely ignored this woman’s singing for, what, two years, at least. Possibly three. Who but the NSA can know for sure how long I’ve been on Twitter.

I don’t think you understand how much I love this woman. She changes the physiology of my body–but only an asshole would say “she changes the physiology of my body.” I can’t breathe when I see her. There is like a gaping hole in my abdomen where my appetite used to be when I see her. She utterly stupefies me. She’s one of the most beautiful women I’ve ever seen in my life. So why would I want to fuck that up by listening to her sing and have her turn into Russell Crowe all over again? No one needs that shit. So I knew she was singing…and I politely ignored it.

Then, one day, on the Twitter, I said something about something she wrote, and she wrote back. (Soon I was to discover that she is very responsive to her fans. Like, VERY responsive. If I my girlfriends were that responsive to me, I probably would feel better about myself as a lover.) All of the sudden, this actress that I had admired, easily, for 20 years, was conversant. Shit! Fuck.

I downloaded her debut album. Because I felt guilty that I hadn’t listened to it. I didn’t know how to tell her “I have loved you for 20 years as a sporadic actress. I don’t want to heard your shitty vanity album and have all that love turn to hate.” It was released in 2009. I can’t remember being so scared to listen to anything in my life. Again, you have no idea how much I’ve admired Jill Hennessy as an actress.  And then there was Russell Crowe, Russell Crowe, hounding me in the back of my mind. I felt like I was losing my virginity for the first time all over again.

God, I was scared.

That was like two months ago. I haven’t really stopped listening to it since. I’ve kinda turned psycho about how much I love it.

So that’s the review you’re going to hear.

Remember how I said Rosanne Cash is so polished? Well. Jill Hennessy isn’t. And yet.

When I listen to some of her songs, it sounds as if she is playing for money in a subway…which kind of is perfect, because that is how she started.

I have my friend Rosanne Cash publicly saying that “It’s a mistake to say that songwriting is therapy,” and then there is Jill Hennessy saying that, yes, her songs were therapeutic.

(I just realized that I called Rosanne Cash my friend. We, (and by we I mean me and my cats) will let that go. C’mon. Let me die with my cats and my “friendship” with Rosanne Cash.)

I was so scared that Jill Hennessy was going to suck as both a singer and songwriter. I was just…I didn’t want to touch it for years.

But, I love Ms. Hennesssy’s work for almost the exact opposite reasons that I love Rosanne Cash’s.

I don’t understand the profession of songwriting. But there is something about Jill Hennessy’s voice that completely hypnotizes me. Her lyrics are so raw and personal–whereas Rosanne Cash’s are so ephemeral & universal.

After accepting that Jill Hennessy was a singer, I have learned a little bit about her history, and I now know that she began her career singing for money in the subways. You can totally hear that in her debut album.

But there are some songs that break through that busking genre and give you hope that there is something powerful underneath. I cannot stop listening to 4 Small Hands.

(Full disclosure: Before I started to listening to Jill Hennessy, I had no idea what “busking” was. I thought it was a city in Canada. Now I’m tossing the word around like I’ve used it for years. I’m 44, people. I had no idea what it was about 3 months ago.)

Apparently, when Jill Hennessy started her life as an artist, it began as a street musician.

It’s always ridiculous when you tell your friends “Hey, listen to these things!” “I like them! And if you like me, you’ll like them, too!”

Rosanne Cash’s new album and Jill Hennessy’s debut album are two totally different things. One is polished and composed and professional and the other is open and raw and intense. One knows who she is and where she comes from. One is trying to find a foothold in a harsh business. I love both of them.

Who Has Two Thumbs (Up) & Off-Beat Opinions About Movies?

I am not artistic. I do not have a creative bone in my body. I am not woken up in the middle of the night by inspirational visions that propel me to craft incredible works that will uplift all who hear them. (Unless, of course, lucid dreams in which I’m having interesting conversations with P. Diddy at his home in the Hamptons count as inspirational.) I do not have an artist’s temperment or mindset.

In my (extremely) general (read: probably wrong) experience, artists are flighty people. I have a difficult time having conversations with many of them, because they do not appear connected to anything remotely reality-based. I cannot tell if that affectation of spaciness is their true personality or if they think they have to act like Andy Warhol in order to be considered “artistic,” or if they are under the influence of drugs or if they are suffering from a mental disease, but whatever the cause, it is difficult for me to relate to them. I find most of them to be vainglorious, narcissitic idiots.

I am such a practical, grounded, realistic thinker that it borders on stern frigidity. It is highly important to me that things make sense. Illogic disturbs me. Terrifies me, to be more precise. The scariest movie I can think of, one that I am still, to this day, incapable of watching, is Disney’s version of Alice in Wonderland. Things HAVE to make sense to me, or I lose my motherfucking mind. I do not necessarily have to agree with the logic of the presenter. But I have to be able to discern a pattern, a point, a line of reasoning that makes sense on some level. Whether or not I agree with that reasoning, as long as I can detect it, I am not turned into a quivering, gelantinous, intellectual mess.

Knowing that’s how I view the world, the fact that I cannot relate to many artists isn’t that surprising at all, when you think about it. If they have a grounded approach to life and an approach to their art that makes sense (to me), I’m fine. If they’re wandering around the world acting as if at any moment they’re going to start flinging their feces on the wall, (I’m looking at you, Joaquin Phoenix), I recoil from them. (Although, really, who wouldn’t?)

All of that jibber-jabber aside…I love movies. I love to be told a great story.

Story-telling is as woven into the fabric of human history as is our love of pets. As is our desire for sex. (Sounds like a helpful guide: Pets & Sex–The History of Us.) Stories allow us to bond through shared emotion. Stories educate us about the human condition. Or, in the case of The March of the Penguins, they educate us about the penguin condition, which, surprisingly, has turned into one of the more popular subsets of conditions that movies attempt to document. (I’m looking at you, Happy Feet 2.) Stories allow us to feel pain without actually having to experience actual tragedy. They allow us to laugh which, I hear, is the best medicine. Stories are very medicinal.

Stories told well enough can actually alter the human condition. The stories in the Bible, for example, are so popular, powerful, and well-known that they have actually influenced the way that human beings create their societies. The stories in the Bible are so powerful, in fact, that billions of people actually think that they are real. A great story can BECOME reality.

Stories can be told by artists through many mediums. Songs tell stories. As do paintings. Dance. Photography. Sculpture. I mean, okay. It’s safe to theorize that ALL art is attempting in some way to convey a message, to evoke a feeling, to tell a story.

But, movies are my go to story-telling device. And I LOVE a good story.

So. Those are the factors inside of me that shape my reviews of movies. 1)I am not artistic. 2)Nonsensical, illogical artistry drives me, quite literally, insane. 3)I loves me a good story! Everyone with me so far?

I explain this to you as a way of trying to warn you, in advance, that I tend to rip into movies that do not live up to my standards. Okay, basically, all of this was written as a way to let you know that I plan on shredding the new James Bond movie in my next blogpost. Assuming I get around to writing it. Extremely critical, judgmental writing does not recharge my batteries. If I become too self-righteous and indigant, I start to feel depressed. It can be tedious and exhausting. But, this shiny new 007 movie is such a steaming pile of crap that it has to be done. I have to do it. For you.

There will be spoilers. There will be mockery. There will be so many points of contention that I am confident that anyone who reads it will want to respond with “Fuck, Laurie, relax. It’s only a movie.”

I bet you just can’t wait to read it.

I guess I better get started on writing it.

I simply wanted to warn you first.

Nothing To Fear But Fear Itself

FDR: “The only thing we have to fear is fear itself.” Congressman 1: “And spiders!” “Well, yes. And spiders. That goes without saying.” Congressman 2: “And snakes!” “Yes. Snakes, too.” Congressman 3: “Don’t forget werewolves!” “There is no such thing as werewolves!” ~ Robot Chicken

I worked as a polling assistant all day yesterday, the day America renewed its faith in Barack Hussein Obama. This morning my feet feel exactly as if yesterday they stood in heels for 14 straight hours on a cold, linoleum floor, so I would like to take a moment to sit down and try to explain my views about the election and what it means to me. (If that ‘moment’ happens to evolve into several hours and a foot massage, so much the better.)

Let me explain to you why last night’s Democratic victory makes me feel good.

In order for me to do that, I need to explain to you what kind of person I am. Perhaps some of you are similarly wired. Or, maybe you will think I need to seek psychological treatment, (up to,  but not limited to, pharmacological remedies and/or electric shock therapy), as quickly as possible. I don’t know. However, I want to explain how I tick on the off-chance you will see that, while I am a product of my culture and society, (just like you), I am not a mindless drone for the Democratic Party. (For one thing, I’m not a member of the Democratic Party.)

“Okay, Laurie. Stop talking to us like we’re fucking idiots. We get it. Come on. I don’t have all day to read your blog. I have laundry to fold and guns to clean. Let’s go.”

(For starters, I’m the kind of person that has continual conversations with you in my head. And in my head you curse. A LOT. You should really work on that.)

Okay. Here we go.

I am a fearful person.

I have dealt with fear my entire life. As many of you know, by the age of five I was being molested/raped with routine regularity by a family friend. Holding in that anxiety and fear from such an early age undoubtedly helped shape the fear-riddled person I became. I stare at perpetual optimists with fascination, (and more than a little suspicion), because I have no idea what it feels like to be that happy. (To this day, nothing makes me quite as uncomfortable as an excessively sunny personality.) I cannot remember what it feels like to not be worried about what lurks around unfamiliar corners, or in the hearts of people who claim that they love you. There are other reasons why I am a fearful person, of course: I never received a lot of praise as a child; I grew up in a strict, sometimes physically abusive household. I watched all of my older siblings get the crap knocked out of them on a regular basis. As the youngest, I tried very hard to do everything right to avoid the same fate, but I wasn’t always successful. When I entered high school, I tried to overcome some of my fear by relying on my brother for support. He rewarded me by begging me to fuck him so that he could lose his virginity. (Since I had already lost my virginity to the man who raped me as a child, he helpfully pointed out, it would be no big deal for me, as I had “done it before.”) Needless to say, that took me back to square one in the C’mon, Laurie! Conquer Your Fear! Category. I was afraid to make close friends because I was afraid of revealing secrets about my family. And, as if all those emotional triggers weren’t bad enough, I had your basic fear of heights, fear of enclosed spaces, fear of choking, etc, to deal with, too.

In short, by the time I left home for college, I basically lived in fear of everyone and everything.

I explain all of this to you as a way of saying I understand the power of the politics of fear. Fear, in my mind, is little more than a feeling of weakness, of helplessness. You’re trapped by forces outside of your control that are going to hurt you. Those forces are trying to humiliate you, use you, discard you, degrade you, or even kill you.

I understand fear.

Fear leads to anger. It leads to short fuses and red hot tempers. Fear can make you view complete strangers as potential enemies. It can make you view loved ones as potential enemies, too. Fear can cause you to repress emotions that make you feel vulnerable, such as unadulterated joy. Fear builds walls and breaks down relationships. One way to avoid being hurt by others is for you to hurt yourself first, so fear can lead to substance abuse and self-destructive behavior. Fear can prevent you from listening to differing points of view, because if all that you have in world is the worldview that you have shaped through your experiences, the last thing you want is someone to come along and try to change it.

I understand fear. And the Republican Party’s platform is based on little else.

Oh, the Republican Party’s entire reason for existence is to create a political avenue for the aristocracy and Corporate America to create favorable laws and tax rates which will increase their wealth and their stockprices. But, once you get past the “We’ll lower your taxes” mantra, all the Republican Party tries to do is scare the shit out of people. Immigrants are taking your jobs! (I studied for years to be able to harvest that lettuce, and that goddamn Guatamalan woman with four kids took it from me!) Gays are ruining your marriage! Barack Obama is going to take your guns! Lazy (black) people are going to sit on their asses all day playing XBox and collecting unemployment while you bust your hump pulling down two full-time jobs! (I would have had a third job, but that damn Guatamalan! Grrr! <fist shake>) Barack Obama is gutting the military! Iran is going to invade us and impose Shar’ia Law! ABORTION! ABORTION! ABORTION! We’re going extinct because we’re killing unborn children!

From massing in large numbers at political rallies with AK-47’s strapped to their backs to claiming that Obamacare was going to intentionally kill senior citizens, the Republican Party has made sure that this country has been filled with uncertainty and dread for the past four years.

Now that this election has been decided, though, I would like to just say I wish the Republican Party would try a new tack. I spent the past two years having my fear receptors rubbed raw by the likes of Roger Ailes, Karl Rove, Rush Limbaugh, Mitch McConnell, Michele Bachmann, Ann Coulter, Mike Huckabee, Sarah Palin, and I would just like to express how thoroughly fucking sick of it I am.

Since I have lived with fear my entire life, and because I am white, and because I grew up in a conservative household that idolized Ronald Reagan, I should, by many metrics, make an ideal recruit for the Republican Party. I should simply embrace the fears that they stoke and have faith that they will protect me from that which terrifies me the most.

But, life didn’t really work out that way.

Maybe it’s exactly because I have lived with fear for so long that I so violently reject the messages the Republican Party perpetuates.

It is HARD to live life as a fearful person. The self-destructive behavior. The inability to sustain long-lasting, trusting relationships. The anger. The flashes of rage. The distrust. It all takes an enormous toll. Essentially, I’ve spent my entire adult life working to reduce fear’s controlling grip over me. Luckily, I’ve made a lot of progress. (I would not be here in this frame of mind if I hadn’t.) I wish very much that others would do the same. I wish that others would work hard to free themselves from the destructive vice grip of not only republican ideals, but their own personal fears as well. Because an individual’s emotional fears, the ones that constantly control their personal life, can easily metastisize into a political worldview in which every new concept or unfamiliar group is a threat.

Here’s another thing that exhausts me about Republican fear and hate: The way they point fingers at “others.” The way they call people outside their clique “takers” or “victims” or “incapable of fostering a sense of personal responsibility.” I can only speak for myself, but that offends me because I know the challenges I have had to overcome on my way to becoming a better person. I know the inner demons I’ve battled, the anxiety I fought to keep from spiralling out of control. I know how I used alcohol to blur my perspective so that my detachment from reality wasn’t as obvious to myself or others. I spent all of my twenties in a quasi-fugue state, being so emotionally detached that the only person I related to was the literary figure Holden Caufield. Remember him? From “Catcher in the Rye”? (Please don’t ask me about that book. I cannot for the life of me remember the plot, nor do I wish to. All I know is Holden Caufield felt like he was constantly on the outside looking in, which is exactly how I felt in my twenties. That and I am supposed to kill Ronald Reagan for Jodie Foster someday.) In my mind, I can see the rocky paths I traveled down and the horrible choices that I made. I can see where I failed to make connections with people because I didn’t have the skills necessary to do so. I know what it feels like to live in dread in the closet, terrified that those tiny relationships I did manage to build would be destroyed if those people knew I was gay. I can trace changes in my life to critical moments of connection when, through the inifinite patience, my friends and lovers stuck by me despite the fact that I was an emotional challenge. I know how delicate it felt, re-wiring my brain to feel new emotions. I can remember what it felt like to mentally force myself to not freak out about intimacy.  In other words, I know what it feels like to take personal responsibility, to improve oneself. And so, yes, it pisses me off when Republicans so callously refer to people like me as “victims” and “takers.” It pisses me off when they have such a reckless disregard for, and a complete lack of appreciation of, the struggles that define all of us. It annoys me to no end when they act as if they are the only group of people who are familiar with personal responsiblity. But it REALLY pisses me off when ordinary people nod in agreement at the words being spoken by those heartless millionaires. I wish those ordinary people would stop being trapped by their own fear, would stop allowing themselves to be manipulated and realize that when their leaders point the finger at the “others,” and speak about them with such revulsion and disgust they are actually pointing their fingers at EVERYONE. Including them.

As I struggled to become a more secure, less terrified, well-rounded individual, it would have been easy for me to allow that journey to make me MORE selfish. (Fearful people, are incredibly selfish. They don’t intend to be–it’s just the nature of their state of mind. They’re panicked, you see. Constantly. And living on that edge of anxiety and uncertainty makes a person react to most of what life throws at them from a perspective of self-preservation. “Fuck all of you all, I am dying over here–I have to do what’s right for ME” is the typical mindset of a fearful person.) But the beautiful thing about letting go of fear is that it leaves more room in your heart for more positive emotions. When you do not have to confront your fear every single minute of every single day, you have time to feel empathy for other people where before you wouldn’t allow yourself to. As the fear lessens, you feel a softness inside of you that, (if you’re not afraid of it), allows you to embrace compassion. And you realize that compassion is not a weakness to be feared. When you have gone decades of your life without it, when you are flooded with compassion you realize that it’s a gift to be cherished, not something to be mocked and scorned. Compassion is not weakness. It takes a tremendous amount of strength to have compassion for others.

I understand fear. I understand that it cannot be conquered alone.

As I have bumbled through my life, making mistakes left and right, dealing with the violent, unintended, lonely consequences of living an angry, fear-filled life, I have come to appreciate how important the connections are that we make in this world. There is no way that I could have made myself a better person alone. The friends that loved me unconditionally. The strangers who, on the way to becoming lifelong friends, appreciated me almost instantaneously, making me feel valuable and special. Yes, I’ve taken personal responsibility seriously as I’ve aged–but that doesn’t mean I made my improvements solely by sheer force of will. I’ve needed a community of people to help me, to have patience with me. They’ve forgiven me when I’ve made mistakes. They’ve accepted my apologies when I’ve treated them rudely or selfishly. They’ve helped me see that I don’t need to be perfect and smudge-free in order to be a better person.

Through it all, as I’ve become less fearful, kinder, more understanding, and more appreciative of my community, my country, my planet as a whole, the Republican party has congealed into this tight, dense ball of hatred and fear. Maybe that is why the starkness of their positions hits me hard. They have spent the past fifteen years tapping into the very same emotions that I am trying to reduce and eliminate on a personal level!

They’ve made “liberal” out to be a pejorative. “Feminazis.” “The gay agenda.” “Illegals.” “Welfare queens.” “Urban youth.” “Ragheads.” “Muslims are terrorists.” “We don’t want to become like Europe.” (That one I’ve never understood. Really? Happy? Healthcare? Rule of law? Relative peace and properity? Yeah. Fucking Europeans! Fuck those guys!) Republicans treat EVERY group with contempt and disdain. And it is SO stressful.

So, as this election cycles revved up, that undercurrent of disgust towards all the subcategories that make America “America, Fuck Yeah!” started to get churned up a bit faster and thicker by the Republicans. And when it does you sit there, a person who has struggled her whole life to overcome fear, a person who has fought to be brave enough to proactively engage with society and humanity, and you listen to that white noise, (unintentional pun), and you grow…fearful.

Ever since the Republicans started gunning for the White House in 2010, the fear has grown in me.

“Fox News is so pervasive, and so dominant and so biased–they are feeding people this fear 24/7! There is no way they are not changing people’s opinions!”

“I mean, if Coca-Cola can remain the world’s top beverage supplier simply through it’s effective use of advertising, you cannot tell me that Fox News isn’t branding millions of its viewers with its message of fear and contempt.”

“The Republicans show no remorse whatsoever when they say such disrespectful things about gays, about Muslims, about women–their confidence is surely powerful enough to convince millions of people that their views must be right.”

“Everyone who needs to feed their family is afraid on some level of not having enough money to survive. Maybe that fear of being unable to provide for one’s family is enough to panic millions of Americans to vote for a man who will only succeed in making the aristocracy richer.”

“Maybe human beings are incapable of being truly compassionate towards each other. Maybe we have to fear and hate people that are different from us. Maybe we’re genetically hardwired to hate. Maybe that is how humanity has functioned for hundreds of thousands of years. (Or 6,000 years, depending on whether or not you think the Bible is real.) Maybe conservatives just use that Jesus guy as a convenient cover to allow them to tap into their biases and fears without guilt.”

Those are just some of the worried, uncertain thoughts that have flitted through my mind over the past two years.

It didn’t help that the Republican candidates running for office throughout the country in numerous state races have been even more anti- than their supposedly moderate presidential ticket. When you sat back and looked at the big picture, and saw the extent to which their insidious fear had stretched across the country, it was enough to make your stomach lurch.

Of course, if you ever got a chance to talk with ordinary Republicans who were going to vote for Mitt Romney, they swore up and down that the Republican message is not about fear or hate. “It’s about lower taxes and freedom for businesses to succeed,” they would say. Right. And the Civil War was about “states’ rights.” We get it.

Of course, the illogic of that is that EVERY American wants effective tax policy. Everyone wants to pay just enough in taxes to keep our society running smoothly. No one wants the little man to get crushed under the burdens of an unfair government. No one wants our country to resemble some feudal society where the king spends money on lavish castles and unnecessary wars, raising taxes whimsically on his subjects while disregarding basic human rights and watching his serfs in the fields suffer. No one wants that, not even Democrats. Not even SOCIALISTS. So, I think it’s quite possible that, if all you wanted in life was for small businesses to thrive, you would be perfectly comfortable voting for Democratic candidates because THAT’S EXACTLY WHAT THEY WANT, TOO.

But, no.

You don’t vote Democrat, do you, Mr. Average Random Republican? You side with the party that wants to outlaw mosques and make it mandatory for women who want abortions to undergo additional painful, invasive, unnecessary medical procedures. You want to live in world in which medical care is controlled exclusively by private insurance companies. You want to spend billions on electric fences at the border and you want to give our border patrol the authority to shoot anyone entering our nation illegally. Even though you say you are for gay rights, you choose to vote for a party that openly advocates bigotry of gays, that wants to prevent people who have loved each other for decades the right to get married in our secular, non-theocratic society. You want to vote for a party that thinks the best way to deal with the issue of immigration is to treat people who have lived in this country their whole lives as second-class citizens. Actually, you don’t want to treat them as citizens at all. You want to deport them. Even if they’re 19 and have lived here since they were 2. Even if they’re valedictorian of their school. Even if they live right next door to you. You would rather their families be torn apart than work to address how to fix the problem of immigration humanely. You want to lock every prisoner away and throw away the key. And you don’t want to eliminate the death penalty, you want to speed up the process. You want to make it easier for our government to murder citizens. And you want to support ALL OF THAT and then look me in the eye and tell me, “You’re crazy, Laurie. The Republican Party platform isn’t based on fear.”

(Another way to ratchet up the fear in my gut is to make it obvious that the fear is being ratcheted up in this society while at the same time vociferously denying that the fear is being ratcheted up. Which, I think, was essentially the plot of the classic Ingrid Bergman film “Gaslight.”)

Needless to say, by the time Election Day rolled around, my nerve endings were raw. I was convinced that the billions of dollars being spent by outside interest groups, the non-stop brainwashing on Fox News, and the somewhat stagnanting economy were going to bring an overwhelming number of people to the polls with pitchforks and torches to figuratively run the Obamonster out of town. The prospect of watching a state like Missouri elect a rape-friendly Skeletor like Todd Akin to the Senate made me sick to my stomach. I was expecting the worst, and despairing of what it meant.

And what it would have meant is that you can never get rid of fear, Laurie. It will always exist. It will always be primal. It is too powerful for the majority of people to defeat it. You might be proud of yourself for having conquered some of the fear in your life, but you will never truly conquer it. Not here in America.

When the results started coming in, and they were generally in favor of the Democrats, I didn’t want to gloat about it to Republicans. I simply felt…joy. Unadulterated joy. Happy that this country, the one that tweets with me and argues on Facebook with me, and that hears the same messages from the same politicians as I do, collectively came together and said, “Yeah, haters. I don’t think so.” In individual races across the land, we voted for marriage equality. We refused to elect Tea Party politicians who glibly referred to rape pregnancies as God’s gift. We faced the fear and uncertainty of a foundering economy and did not panic by throwing out the man who is trying to steer us out of this. We did not let Mitt Romney become president simply because he said “I’ll create 12 million jobs!” during the first presidential debate.

In other words, we faced down our fear. As someone who knows how strong it can make a person to do that, all I can say is that I’m excited about what that means might be in store for our nation.

And that is what makes me feel good about last night’s election.

If This Blog Is a-Rockin’ Don’t Come a-Knockin’

Author’s Disclaimer: I am not a musicologist. I am not an audiophile. I don’t write musical reviews, either as a hobby or professionally. I don’t even know what the great singer/songwriter Leonard Cohen meant when he wrote “the 4th, the 5th, the minor fall & the major lift” in that song “Hallelujah” except I think it has something to do with music and it sounds really beautiful when Jeff Buckley sings it. I just love music. (Except for jazz. Sorry, jazz.) So, allow me to be clear: the views that are about to be expressed are my own and are based soley upon a lifetime of listening to music in cars, in bars, thru headphones, in bed, or at concerts, nothing more. They are not based upon the remotest hint of a working knowledge of song structure or musical skill or, (what’s the word?), CHORD PROGRESSION, as I possess none of that. I don’t even subscribe to Pitchfork magazine, although I totally should. If it feels like I’m about to lecture you about music, just relax. I’m not. And, since I’m blissfully ignorant about this subject, everything I am about to say could be totally wrong. Feel free to let me know if you think I am. There IS a comment section somewhere around here. Or, you know. You could just write your own essay about the subject instead of being a dick to me about my views. I’m just saying. Oh. And, yes, I think I DO have to mention Rosanne Cash in every goddamn blogpost I write, thank you very much. I am seriously considering changing the title to “What Would Rosanne Cash Think?” It’s rumored that if I mention her in a hundred posts in a row, I get a pony.  

On Tuesday, August 2nd, 2011, I drove two hours to Asheville, North Carolina (“Where Lattes Meet To Hike the Appalachian Trail”), to listen to Ms. Rosanne Cash speak about her memoir “Composed,” which had just been released in paperback the week before. (As of this posting, it was #17 in the Biographies/Musicians category on Amazon “We have a Category for That” dot com. Which 16 people in the music world could possibly be more interesting/intriguing than Rosanne Cash?, I wonder softly to myself. Well, apparently, six of them are Keith Richards, which is completely understandable. Patti Smith, a recent Rock & Roll Hall of Fame inductee, also tops the charts ahead of Ms. Cash. Well done there. But…what’s this? Ace Frehley!? ACE FUCKING FREHLEY has a book that is more popular than Rosanne Cash’s?! From KISS? The guitarist? And not the cute one with the star painted on his face, but the other one? I mean, that is just wrong on so many levels. I realize that only two people read these posts but, for the love of humanity, please, click on the above link and buy “Composed,” if for no other reason than to restore sanity to the universe by putting Ace fucking Frehley in his proper place, which is well below Ms. Cash on the Amazon sales chart. Buy six copies if you have to. Together, we can change the world. Thank you.)

(Am I done here? What was I talking about? I got so distracted by Ace fucking Frehley that I have completely lost my train of thought. Oh, right. I saw Rosanne Cash speak.)

Now, for those of you who don’t know, (I’m not going to name names but Lachey Turner just the other day was overheard saying, in this exact order, “Rosanne Cash, who is that? I have to Google this woman to see what she looks like. Oh! She’s pretty!” She particularly liked the Interiors album cover photo. I said, “Yeah, but that was the year she was getting divorced from her husband. It was a rough time. She looks depressed, dontcha think?” “No, but I like it! She looks mean!” To each their own.), Rosanne Cash, a professional artist in her own right, is the daughter of famed music legend Johnny Cash, (and if you don’t know who Johnny Cash is, you can just stop reading right now and go back to whatever it is you do in your underground lair–hunting for albino catfish, licking lichen-covered rocks for nourishment, searching for The One Ring to Rule Them All, I don’t know–I don’t have time to explain him to you. I’m surprised that you have internet access in such a remote pit of hell, though.), and she has been making some of the richest, warmest music in America for about 30 some odd years, which is an amazingly long creative streak for someone who just recently turned 36. (Did anyone else just hear that? I think that was the entirety of cyberspace swooshing the expression “KISS ASS!” down on me through the ethernet. It was very loud. Really surprised no one else heard that.) Okay, so she’s slightly more aged than 36. Whatever. My obsession, my rules.

When she’s not making music, thinking about making music, or tweeting about making music, Ms. Cash apparently hits the road to talk to the public about that book I mentioned earlier, where people proceed to ask her questions about music. Which brings me to the point of this essay.

Another swoosh: THANK JESUS! SHE GOT TO THE POINT OF HER ESSAY! Everybody–you can come back: She got to the point. She got to the point, yes, she did. Praise be to God, the Glory and the Light. Here she go. She gonna get to the point right here:

On that lovely, warm, Carolina blue day, a man and his wife drove TEN HOURS from Florida to hear Ms. Cash speak. So, say what you want about how much I adore one of the greatest singers in America, but not only am I not alone, I’m not even on the top of the charts so, you know. Bite me. And when it came time for him to ask her a question, it broke my heart. To paraphrase, he talked fondly of the music he listened to back when Rosanne was getting started in the business and wanted to know where all the good songwriters were today.

Two things that immediately struck me when he asked that question: One, Ms. Cash looked exhausted. As if she felt the enormous complexity of the essence of what he was asking while simultaneously realizing that she had been travelling for several days in a row, was completely brain-dead, couldn’t even BEGIN to launch into a dissertation about today’s modern music scene and, Jesus Christ, did she really need a glass of wine like, NOW. That really did seem to flicker on her face, I swear. And, two, people are really hungry for some guidance in this vast, teeming swamp of energy and information we call Life. I am here today to try and cover that second point.

When I hear people say “They don’t make music like they used to” or “The era of the great songwriter is past” or, even more directly, “Kids today don’t know what good music is,” what I hear is “My best music memories are tied to when I was a teenager necking with Mandy Leitner in the backseat of my daddy’s car and I don’t know how to make new ones.”

If you’re like me, then you suspect that humans learned to communicate via music before they learned how to speak. This, I believe, is what makes the otherwise tedious Close Encounters of the Third Kind resonate with so many of us. It is communication at a primal level. And it is something that we can universally appreciate even if we do not understand the language in which the lyrics are written. Human beings will continue to make music long past the point where we can write language longhand and long after you and I are gone. Since there are approximately 13,000,000 bands on MySpace, though, perhaps the problem older people have today is finding it.

Well, for starters, try not to freak out about the fact that musical styles change. It’s not like the kids today started that trend. I mean, when you think about it, according to Fred Phelps, America started feeling the wrath of God as soon as Elvis Presley took the stage. But, when you go back even further, Beethoven caused a stir by being different than Mozart, who was really nothing more than the Elvis of his day. (Maybe he was more the John Lennon of his day. But you take my point.) So, this variance in musical styles goes back millenia. It is not something that portends the collapse of music as we know it. If anything, it speaks to the brilliance of the art form. The notes on the page haven’t changed since Mozart started jotting them down, and yet we keep finding a squillion different ways to use them. That should make the average listener of music feel excited about what is coming, not depressed about what has passed.

Once you accept that change is not something to fear, oh, the world of possibilities that become available to your ears. (Except for jazz. Sorry, jazz. Although I did recently listen to Miles Davis’ “Kind of Blue” album TWICE and it didn’t suck. So, there. That’s me being gracious about jazz.)

Now. I’m not gonna lie to you. (Except about Rosanne Cash’s age.) There is some music out there today that is just horrible. There are some songs out there so horrible that they make me want to study quantum physics so that I can invent a time machine so that I can go back in time to the moment that Justin Bieber’s parents meet so that I can destroy their budding romance so that I can prevent him from ever being born. But for every “Baby, Baby” that is being released today, at least we can all count ourselves lucky that we don’t hear Bobby Goldsboro’s “Honey” every time we turn on the radio. (Please note that “Honey” was once a number one song in America. Back in the 1960s. Back when music was supposed to be so awesome. Back when they had THE BEATLES. So, you know, cut the kids today some slack. Because nothing, not even Rebecca Black, makes me want to shoot myself in the face like “Honey.” Not even “Seasons in the Sun.” Editor’s Note: Okay. “Seasons in the Sun” is actually my favorite song of all time. I’ve only recently learned that it makes other people want to shoot themselves in the face. I refer to those people as “idiots.” But, I wanted to include it here in the Batch of Horribles so that you can see that I understand the world does not revolve around my musical tastes. Although, obviously, it probably should.) And I don’t care how much you try to convince me that Eric Clapton is God, “Sunshine of Your Love” is a horrible fucking song, and if you weren’t so busy eating mushrooms and trying to get laid the summer it came out, you might be able to realize that, too.

So, really, old timer, once you accept that the world of music today is just as vibrant and as rich as back when Neil Diamond was topping the charts, an entire universe of music opens up to you. It simply becomes a matter of discovering what you like.

Were you a fan of Neil Diamond? Well, are you familiar with the musical stylings of Death Cab For Cutie? They’ll make your toe tap. Were you a fan of Gladys Knight & The Pips? Have you heard of Sharon King & The Dap Kings? Oh my geez. She’ll make you slap your mama. Country music more to your liking? Well, the Zac Brown Band is making some great music. You should check it out. Or, if you are a Merle Haggard afficianado, this new fellow named Jeff Bridges just came out with a new album that might be just what you’re looking for.

Foreign music is so much more exciting today. It’s beyond just the British Invasion. Jens Lekman is incredible. Personally, I love Robyn, too, because I’m wild and crazy like that. Oh, and I cannot let another minute go by without mentioning one of the truly most exciting pop groups to emerge from England in quite some time, Florence & The Machine.

For pure rock & roll, I have been in love with Kings of Leon since the early aughts. It’s never too late to learn about them, but I would start as soon as possible, as the band is starting to fracture. Who knows if they’ll ever make another album? Family bands and mega-rock stardom will do that to you. But, every single album that they’ve made is amazing.

For perfect pop stylings, I don’t know how anyone could find fault with Mates of StateTheir Rearrange Us album is one of my frequent go-to’s when I need a little pep on my commute home.  

Since I don’t write about music for a living, I don’t even know how to describe My Morning Jacket’s music. But, if you want to listen to a band that tries to capture soaring symphonic melodies through their electric guitars, you might want to check them out. They definitely know the roots of American rock and roll. And, then, of course, you can’t mention roots of American rock and roll without bowing with ultra respect to one Mr. Jack White.

The beauty of talking about how much exciting music is being created is that I haven’t even begun to scratch the surface here. There is almost too much great music out there nowadays to keep track of. But, if you’re looking to get started, go to that metracritic.com website I mentioned earlier. Or, you can just follow Rosanne Cash on Twitter and pay attention to whomever she is listening to. You can’t really go wrong there. Just don’t ask her to mention everyone she loves after she’s had a hard week of work. She’s liable to just stare at you blankly while reaching for a bottle of chardonnay.

I Need Some Viagra to Boost My Lust For Life

Get out there!

In the 90s, I developed an intense dislike for that hipster voiceover artist on those Carnival Cruise Line commercials. “Get out there!” she commanded in a husky, playful tone as Iggy Pop’s Lust For Life throbbed in the background. In our stained pajamas on our dusty couches, we enviously watched as smiling, athletic waterskiers, jet skiers and rockwall climbers enthusiastically had the time of their lives during the vacation of their dreams. Of course, what wasn’t advertised as much was that those same vacationers were sometimes getting so drunk on those obscene, floating pleasure palaces that they would fall overboard in the middle of the night and their bodies would never be recovered. Putting yourself “out there” can have some unpleasant consequences.

I experienced the anxiety of that firsthand this week when I thought I had been blocked by a celebrity on Twitter.

It’s not really important who it was, (although here’s a hint: her first name is Rosanne and if Johnny Cash walked through her door she would wave excitedly and say “Hi, Daddy!”), the important thing to know is how the interaction made me feel. Because, if we have learned only one thing about this blog so far, it’s all about me. And this little Twitter episode made me flush with anxiety and reminded me that, no matter how big my boobs get, on the inside I’ll always be a scared, insecure little girl. An insecure little girl with enormous breasts.

(I didn’t really want to mention my breasts in the above paragraph but, if there is one thing I learned from that writing seminar I imagine I took with Michael Chambon and Richard Russo, it’s to reference the twins as frequently as possible, even when writing a clemency letter to a governor or a pope. Keeps the reader’s eyes rivetted on the page.)

Admiring Rosanne Cash is not a fresh and exciting new adventure in my life. I’ve been doing that for as long as I can remember. There are two things that I am proud of in this world. One is the soft, curvaceous set of mammary glands that I squeeze into my overworked bra every morning, (Eyes on the page, people!), and the other is that on a somnolent Sunday morning, I got to stand in the doorway of the King’s Record Shop, right where Rosanne Cash stood for the album cover of the same name in Louisville, Kentucky. Some people have their Abbey Road moment, whereupon they try to replicate that iconic picture of the Beatles. I have my King’s Record Shop moment.

I also happen to think that album is the finest country album from that era, but I digress.

As a self-proclaimed feminist, I have always been drawn to strong, intelligent, independent women who are not afraid to step outside of someone else’s shadow, and so it should come as no surprise that I admire Ms. Cash. She’s never really struck me as someone who tries to be someone she is not. She has this wonderful combination of talent and brains and style and grace mixed with this down-to-earth quality that makes her fame and success seem natural and free-flowing. She’s endured many scares and potential tragedies with quiet courage and strength. I spent a few years in the early “aughts” reading a blog that she maintained and it helped me appreciate her overall intellect, aesthetic, and political viewpoint. She is an outstanding writer. And, through it all, through the highs and the lows, her music just keeps getting better. She is aging like a fine wine and she truly is an American treasure.

If I ever met her in person, I would try to tell her how much of a genuine inspiration she is, how much I appreciate her unique musical gifts and how the grace of her life is helping me see that not all celebrities are pretentious, narcissistic assholes with no redeeming qualities other than a pretty face or a gorgeous sense of entitlement. (I’m looking at you, Ashton Kutcher!) Unfortunately, if I ever did get an opportunity to meet her, I probably wouldn’t say any of that. I would probably sound an awful lot like the “I like turtles!” kid.

“I like your music!” “You’re really great!”

I know exactly how I feel about Rosanne Cash, but I’m not so sure how I feel about Twitter.

Twitter is a strange social media concept. It is incredibly illusory. No one you actually know in real life uses Twitter, so you latch onto celebrities, musicians and comics, eager to see the niblets of brilliance that will be tweeted from their phones. It doesn’t take long to discover, though, that…well…most of them are kind of dicks. But you can’t really tell anyone in the Twitterverse that they are banal or vain or way too obsessed with cock jokes, because that is simply not done. You either admire uncritically or you…unfollow.

But then there’s Ms. Cash. I’ve been following her for months and not one cock joke! She’s taken her enormous writing skills and condensed them down into this techno haiku that brightens an otherwise dull, dark Twitterverse. And she interacts with people, so it’s very easy to get caught up in the sense of community that she fosters with her Twitter feed, because…well…she cultivates a sense of community.

So imagine my horror when I thought I had been blocked! The anxiety that races through the brain.

What did I say? Did I interject myself one too many times into her world? Did I become a nuisance? Did I say something to offend her? Had she grown sick of me, yet another desperately lonely “tweep” who continually interrupted her otherwise sensational day with my pathetic little attempts to communicate with her?

This is why you don’t put yourself out there, Laurie. Not only should you not go parasailing in Jamaica, you shouldn’t even try to talk to anyone above your station. You’re just a bystander. Go stand in the corner and don’t speak until spoken to, please. And, trust me: No one will speak to you.

That and more is what you feel when you realize that someone you’ve never met rejects you in a way that you didn’t even realize was possible when the flip phone was first invented. It is unpleasant and nerve-wracking and not something I want any of my gentle-hearted friends to endure. So, fuck Carnival Cruise Lines. Don’t get out there. Just stay inside and play Free Cell. If you need to feel connected with life, get a cat. After you talk to it long enough, you will be surprised at how vociferously it reacts to the sound of your voice.

Of course, it turns out that she hadn’t blocked me at all. It was simply that the tweet I was trying to send her was too long. I couldn’t send it until it was shortened.

But, I think the lesson I learned was a valuable one, which is that sometimes it is okay to just be an admiring bystander. Either that or I am just too plain fucking stupid to use Twitter.

My breasts and I thank you for listening.